It's a much larger space in what's nicknamed the "Brazee Barn," a pole barn behind the main building that was converted into a space for four studios. It's a light-filled studio with five windows (including a trio that open), super-high ceilings, and enough room to work on some of the larger pieces I have in mind for "Remnants," my solo show next summer at Colorado's Loveland Museum.
Here's a glimpse of the big move …
 |
| Piling up boxes in anticipation, along with a moving dolly lent by my studio neighbor, mosaic artist Joyce Kaufman. The dolly proved indispensable for moving furniture. |
 |
| Chaos after the work tables were moved. |
 |
| Work table top ready to be moved, along with everything around it, so that the huge flat file could be tackled. |
 |
| The start of rolling up all the maps, prints, etc. from the flat file, which took 2.5 hours to empty. |
 |
| Two views of the new studio with just the work tables, and smaller shelves. They were moved first, so we could pile stuff on them as the move progressed. |
