Coloring my heart out for Valentine's Day

Hot off the press: two new Valentine cards.

The top one was adapted from a Charles Dana Gibson illustration that was used in a collage last year with the same title as the card greeting. I'm so enamored of the twisted image of a steaming hot Cupid being served up on a silver platter that it's also become a print and, now, this card. I liked paring it back to the original image, though there have been additions such as more steam. 

After toying with various greetings - "love served up on a silver platter," "hunka hunka burning love" - I stuck with "hot plate."

Each card is hand-colored, so no two are alike. Sometimes, the apron is colored; sometimes, the dress, Sometimes, his wing is colored, sometimes, it's not. Sometimes, well, you get the picture. I feel like one of the Victorian women hand-coloring those Godey's fashion engravings I'm so fond of.

The card below also is hand colored. The image is adapted from an illustration in an 1877 German edition of "Schiller's Werte." It was one of the illustrations for his "Don Carlos." I scanned the ornate title page from the volume and used it on the back of the card, which is printed on pale, ash rose card stock. 

Now, to get them to the studio and area shops, then, on my web site!

Low-Hanging Fruit

© Low Hanging Fruit (2012)
mixed-media collage: antique illustration (The Gibson Book, Vol. 2, Scribner's, 1906),
vintage clip art, recycled gift bag and children's book proof, wallpaper sample,  ink,
 watercolor, colored pencil, acrylic sealer. 11.5" x 5.5" on archival mat board.
Matted & framed. Price: $150. (SOLD)

Surreal. That's the first word that popped into my head when I found Çharles Dana Gibson's illustration, "A Peach Crop." So, I opted to make it even more bizarre by adding male hands plucking the ripe fruit. I selected pears rather than peaches, simply because I liked the colors. In truth, either fruit works, since women are compared to both. Some of the hair was colored to accent the fruit, and all of the women's cheeks and lips were painted to help draw attention to the smaller heads.

There are a lot of shadows being cast since every piece is not completely glued down. I hoped to create the illusion of depth by letting some sections of the drawing float. I'm doing that more often with pieces that will be framed and under glass. The "sky" is a wallpaper sample that includes pears, but they are covered up for the most part. The "ground" is composed of handmade paper - a recycled piece of a nice, gift bag - and a children's book page proof.

Gibson could be highly critical of the upper classes and surprisingly wry about both sexes. I'm not sure whether he was being ironic here or not. But, that's good. I like art that makes me think.

Hot Plate

On Valentine's Day I wrote a post on my Paper With A Past blog about our family tradition of "strange cupids." That is, Victorian and Edwardian images of cupid that are disturbing enough to make my husband and daughter cringe. I'm on the hunt for them all the time. The weirder, the better.

So, you can imagine my delight at finding this Charles Dana Gibson illustration in "The Gibson Book," a fantastic, over-sized, two-volume collection of his drawings that Scribner's published in 1906. Looking at it, well, I just HAD to make yet one more, new collage for The Art of Food exhibit at The Carnegie.

As you can see below, the image is pretty much intact. I wanted to keep his signature - on the bottom left - but it didn't work out. To my family, the most unsettling part of the image is the steam rising from Cupid. So, of course, I had to add to it. I found a vintage scrap of hearts afire, then, added more flames from a vintage tarot card and painted the steam a smokey grey. Now, they are even more unsettled.

© Hot Plate (2012)
mixed-media collage: antique illustration; recycled invitation &
  wrapping papers; vintage sheet music & scraps; ink; watercolor;
acrylic sealer. 7.5" x 7.5" on archival mat board. Matted & framed.
 Price: $125. (SOLD)

Strange cupids

We have a tradition in our family of odd Valentine gifts. Think along the lines of Charles Addams and Edward Gorey, and you'll get the picture. So, when I started collecting antique holiday postcards about eight years ago, I found myself drawn to offbeat Valentine images.

Over time, my burgeoning collection of "strange cupids" became something of a family joke. I scoured flea markets, shops and sales for the creepiest cupids. When I returned home, I'd share them with my husband and daughter. Finding postcards that would make them cringe became my goal.

But the latest addition to the collection isn't a postcard, it's the Gibson Girl above. She's from Vol. 2 of The Gibson Book, a 1906 anthology of drawings by Charles Dana Gibson that contains the contents of 11 of his books. She starts "Everyday People." That alone, got laughs. What creeped them out wasn't so much the cupid being served up on the platter, as the steam rising from him.

Other things that bug them: cupids playing with hearts - tossing, rolling & hitting them; the cupid just below who is feeding a "warm" heart to the moon; the cupid below him who is braising hearts over a fire. I, of course, think they are wonderful.

In the studio? In my dreams!

This how I look when I'm hard at work in the studio. As if. I can't resist sharing the new post on the Paper With a Past blog about my latest great find: the grandiose, 2-volume "The Gibson Book" set published by Charles Scribner's Sons in 1906. It contains work from 11 of his titles and is appropriately aged but mold free, bug free, not a torn page in sight and appears to be completely intact. You'll be seeing these in a collage series in the new year.

Gibson's "It Girl" of the early 20th century

I know it must seem like I exaggerate when I say I've had another heart-stopping moment, but that's how I feel when I come across a great find. In this case: two large, dirty red cloth-covered books that caught my eye on the bottom shelf of an antique shop in Columbus, Ohio. Actually, it was the still shiny, stamped gold leaf wreath with the words "The Gibson Book" that stopped me in my tracks.

I had seen the two-volume set just once, years ago while attending an event at Peterloon, the suburban Cincinnati estate owned by Gibson's daughter, Irene, and her husband John Emery. The oversized, coffee table books were published by Charles Scribners' Sons in 1906 and contain the contents of 11 Gibson titles, that is, hundreds of drawings that are by turn satirical and charming. Each page is 11" x 17," so they open into an impressive 34" wide - too large for any of our coffee tables and, unfortunately, for my scanner. Yeah, a new scanner is on the top of my wish list.

The works are meticulously drawn with a keen eye for facial expression that goes far beyond the iconic Gibson Girl whose image swept the nation and is hip to this day. Don't believe that? Well, Urban Outfitters recently touted Gibson Girl wallpaper - with the added touch of red lipstick here and there - and it sold out. The pattern was taken from "Design for Wall Paper," above, which was originally published by Life in 1902 and has the witty subtitle: "Suitable for a Bachelor Apartment." On the next page - below - is an aspiring beauty in 1903's "The Seed of Ambition" from Collier's Weekly.