Sunday, October 20, 2013

So, did it work?

Thought I'd show you what happened after the scrapbook pages mentioned in the last post were soaked ... as I said then, it works. In the top photo, the scraps are drying facedown on the studio floor after being removed from the pages - luckily, it's a concrete floor. The other photos show the end result. Most of the scraps are fairly flat and those that are not, can be flattened in my nipping press.

The final photo shows another project going on in the studio at the same time - airing out pages from 1930s era Esquire magazines that had been wrapped in plastic sleeves for decades. When the wrapping was taken off ... stinky. So, time for some fresh air.







Saturday, October 19, 2013

A simple blog post label leads to treasure ...

Last summer, I posted an item about "Wark's Modern Educator," an encyclopedic book from the early 19th century. I bought a copy at a dirt cheap price, because it was missing pages. I happened to mention that I'd love to find a complete volume. On the post, I added the book title as a label.

Well, fast forward to a few weeks ago when an e-mail arrived from a bookseller in Princeton, N.J., telling me that she had been searching the web for info about Wark's, and came across my blog post. She had a complete one. We messaged back and forth.

In between the e-mails, she took a look at my web site. Her next e-mail asked if I wanted something else: her great grandfather Paul Phillips' scrapbook from 1890. It was little more than a pile of crumbling pages inside its worn covers, and she didn't know what to do with it ... 'til she saw my work.

A few days later, the Wark's and scrapbook arrived. As nice as the Wark's is, it's the scrapbook that is the stunner. It's filled with colorful scraps and trade cards. Some are scraps I'd never seen, such as sets with fairy tale characters and a series of morality tales. Many are huge, filling entire pages. In fact, the flowers are the perfect size for a commission I just got to create a large-scale collage for a Cincinnati restaurant. Today, I'll remove the scraps from the pages, which can be done by soaking them. Trust me, it works, and doesn't damage the scraps (a trick learned from a veteran bookseller/paper collector).

Of course, I had to scan some pages to share with you ... no doubt my friend Shirley Tenhover will be oooohing and ahhhhhing when she sees these ...











  

Wednesday, October 9, 2013

Bumper crop

Well, the other thing I was messin' with while I was home with the flu was new variations on the "I heart" cards in the "Body Language" line. It began with "I heart Cincinnati" and "I heart Kentucky," then, a few Cincinnati neighborhoods were added: Over-The-Rhine, Northside, Hyde Park and Clifton.

Well, a new shop in the Pleasant Ridge neighborhood - the Dandy Haberdashery - is carrying a slection of "Cards With a Past" and requested an "I heart Pleasant Ridge" card. Once that was done, it seemed time to create one for my own neighborhood of Oakley.

Generally, the heart colors - sometimes, the type, too - are geared toward how people think of the neighborhood. For example, Hyde Park is deemed to be "preppy," so its card has a lime green heart and pink type. For Pleasant Ridge, I picked up on the colors used in banners hanging in the neighborhood. The Oakley card plays on the oak part of our leafy neighborhood.





The cards are sized to fit long, No. 10 envelopes. And, yes, being a compulsive type, I try to find envelopes whose colors match the cards. Well, I was so enamored with the cards above that I decided to add one for Columbia-Tusculum. It's well-known for its "painted lady" Victorian houses. So, I pulled out all the stops ...


But why is this post headlined "bumper crop"? Well, all the heart cards are becoming bumper stickers. In fact, four already have: Cincinnati, Kentucky, Over-the-Rhine and Northside. More are on the way. MiCA in Over-the-Rhine has all of them; NVISION in Northside has the Cincinnati and Northside; and, all are available at my studio ($5 each).

Next up, Downtown and Mt. Lookout ... gotta go, the card factory beckons. Wait. The image of the heart is from "Young People's Physiology," a book from 1888 in my archive - as are all the images on all my cards. It happens to have been published by The American Book Co., which was headquartered in downtown Cincinnati.  
    



Saturday, September 28, 2013

When life hands you lemons ...

I was struck by a nasty virus during the past two weeks that pretty much kept me at home. After spending an entire week in bed, ugh, I got busy on the computer during the second week. Doing what? Thought I'd show you ...



A quartet of greeting cards from the new "Animal Attraction" line. I've been collecting quirky Victorian images of animals for a while, thinking they would become letterpress postcards. Instead, they're regular greeting cards. These are the vertical versions, there are horizontals, too. And every card in every Cards With A past line is now available in three sizes (A2, A6, A7). Yeah, it's a lot of work making the masters, but what else have I had to do lately, besides get well?!

Oh, the images are from Nov. 1888 St. Nicholas Magazine (octopus & whale); Chatterbox for Little Folks, 1883 (dog); a 1908 issue of The Chatterbox magazine (salmon); The Teachers' and Pupils' Cyclopedia, 1904 (frogs).


Thursday, August 29, 2013

She's got a ticket to ride ...


Nice news: two of my recent collages were juried into the fourth annual The Golden Ticket exhibition at Clifton Cultural Arts CenterIt features work by Cincinnati-area artists and includes a wide variety, and I do mean wide. I got a sneak peek at the art when dropping off my pieces last Saturday. The exhibit opens 6-9 p.m. Friday Sept. 5 - awards will be announced at 7 p.m. - and continues through Oct. 2.


© The Grand Tour: Wild things (2013)
mixed-media collage by Sara Pearce
© Shapeshifting: Edith threw caution,
 and perhaps her inheritance, to the wind (2013)

mixed-media collage by Sara Pearce