Wednesday, December 10, 2014

Two sassy "You Said It, Sister" holiday cards




I tend to be sentimental when it comes to designing holiday greeting cards. But while restocking the card above from the "You Said It, Sister" line for a shop, it occurred to me that it could be converted into holiday card for Christmas and Hannukah. So here they are, fresh off the printer … they're available in the studio, at The Framery in Hyde Park, and sometime today, at Indigenous in O'Bryonville.






Saturday, December 6, 2014

Not a moment too soon … 1st annual Christmas poster

© Sugar Plum Tree

I so wish that in July, someone would dump snow into my studio and pipe in continuous holiday music. That way, I might get on schedule with my holiday greeting cards, tags, etc. But, no, here it is Dec, 6, and what am I doing? Designing a new card, and, "wait," she thought, "why not turn it into a holiday poster, too."

So, I have. Both the card and poster debut this weekend at the Showcase of Art at the Woman's Art Club of Cincinnati, which opens this morning at - gulp - 10!

For the design I used one of my favorite Christmas images in which tiny children dance around a ginormous Christmas tree laden with all kinds of goods from the practical (soap, coffee, furniture) to the whimsical (candy cones, fish, toys).

The tree is adapted from an engraving a black-and-white engraving in the January 1882 issue of St. Nicholas, a popular American children’s magazine published by Scribner’s. The pastries are from “The Trade’s Cake Book,” by T. Percy Lewis (MacLaren & Sons Ltd, London, 1912). I altered their colors substantially to make them more fanciful.

The 11" x 17" poster is titled "Sugar Plum Tree," and is a limited edition of 25 signed copies. It's printed with archival ink on Legion Paper's Somerset Enhanced Velvet 100% cotton rag paper. It may be the first of an annual series of Christmas posters. And, who knows, maybe next year's will be designed earlier.



Tuesday, November 18, 2014

Impossibly sweet ...

Eight new collages were added to the Sweet Petites collection last week, and I have to say that they're adorable. And since adorable is not what I do generally, they came as a surprise.

M.T. Ross' whimsical illustrations from the 1910 edition of Elizabeth Gordon's "Flower Children," were used for the main characters, which may explain how they ended up the way they did. I wrote about my obsession with the images back in May, when I was about to sell some of the other originals at Cincinnati's City Flea.

Of course, I HAVE to create their opposites, or Not-So-Sweet petites. Stay tuned for those ... meanwhile, here are the cutie pies, which can be viewed in the annual "Multiplicity" holiday show at Cincinnati's Brazee Street Studios








  

Sunday, November 16, 2014

Holiday madness!

Just posted this Studio Schedule on the Open Studios page, but thought I'd post here, too …

Additional holiday hours at Paper With a Past studio
12:30-7:30 p.m. Thursday Dec. 11
12:30- 9 p.m. Friday Dec . 12  *see below
10 a.m.-2:30 p.m. Saturday Dec. 13
12:30-7:30 p.m. Thursday Dec. 18
10 a.m.-2:30 p.m. Saturday Dec. 20

* "Stuff I Can't Bear to Cut Up" Special Event
12:30-9 p.m. Friday Dec. 12
(before, and during Open Studios)
Antique and vintage paper from the archives
that is artful enough on its own to be framed and hung on a wall,
from maps, fashion plates and children's book illustrations
to magazine covers, advertisements and anatomical engravings.
Some are matted, some are not.
All have insanely low prices.
Stop by to browse the print bins for that perfect present.

Sunday, November 9, 2014

Never, never land ...

It was just a coincidence. Cincinnati Ballet is performing "Peter Pan" this weekend, and while in the attic looking for books to serve as props in an exhibit, I found an edition of "Peter Pan" that I'd forgotten about.

It's the Whitman Publishing Company's oversized "Peter Pan Picture Book," published in 1931 and illustrated by Roy Best. Confirming my theory that all roads lead to Ohio, I discovered that Best was born in Waverly, Ohio, and, of course, attended art school in Cincinnati.

The book is falling apart, but even so, its pages are in good condition. The soft, enchanting illustrations of Tinker Bell and Peter are my favorites, even if Tink is a tad too pin-up for me. Little did I know, until I began researching Best, that he's best-known as a pin-up artist. Not racy pin-ups though, a bit more wholesome, girl-next-door.

The bright, cartoonish Captain Hook paintings don't appeal to me, so you won't see them here. Chances are that all the illustrations will find their way into the "Stuff I Can't Bear to Cut Up" files ...