This is how we role

While working on new collage tags when I came across this pattern envelope, featuring bridal caps and veils. First reaction: they are soooooo '60s. And they are, the pattern was published in 1967. Second reaction: they look like Barbie dolls. Perky noses. Perfect pink lips. Doe eyes. Glossy, straight hair. Long necks. All white.

I was far from that '60s role. Both in terms of my physical appearance, especially with my wild mound of frizzy hair, and my indifference to fashion and cosmetics. Blue eye shadow? Give me a break. I barely used moisturizer.

These beautiful women may have been brainy, but that's not how they were portrayed in the advertising, television and movies of the time. At this point, getting married was expected to be a woman's top priority. Betty Friedan's "The Feminine Mystique" was published a few years before this pattern, but it took a while for it's finding that women were not happy in their restrictive roles to seep into the national consciousness.

Maybe all of this is why I like to subvert these images so much. It's unclear what will happen to the pattern above, but I'm sure something will pop into my head.

Meanwhile, here are two of the tags ... they make me wonder what the women are thinking, it could be marriage, then again ...

A page of their own

© If You're Goin'
to San Francisco ...

All the Sweet Petite collages have been posted on a single page on the blog. Click this link or the one in the header at the top of the page to view them. The page is set up to allow online buying via PayPal. I'll update it as pieces sell, and when I make new ones. Of course, all are available at my Cincinnati studio (first floor, across from the gallery at Brazee Street Studios).

Sweet finale

© Sweet!
mixed-media collage by Sara Pearce

For the final Sweet Petites I just had to cook up a pair of cakes. The top one was in the works before the vintage cook booklet cover was found. It made the perfect, background and adds to the overall graphic appeal. It took a lot of time to find the pink plate the cake rests upon. I wasn't necessarily looking for a pink one, just one the right size. Bonus: the knife that looks like a cake server.

© Love Birds
mixed-media collage by Sara Pearce

This cake is similar to "Love's Offering," which was made back in April for the anniversary exhibit at the Bonbonerie Cafe - which is still up, by the way. It was so much fun concocting the cake with Victorian needlework illustrations that I wanted to try my hand at it again.

Well, I didn't use that many. The bottom layer is made from vintage wrapping paper, and the blue layers are from a vintage greeting card, so, only the two remaining layers are needlework patterns. But so is the lacy border at the bottom. The birds rest on bejeweled leaves from a vintage greeting card. As a kid, I loved those cards with their sparkling, plastic "jewels."  

The train kept a rollin' ... more petites

© Flight Plans.
Mixed-media collage by Sara Pearce.

More of the petites, as in each is 3" x 4.5." All are matted to fit a standard 5" x 7" frame. One thing I like a lot about this batch is the fairly even blend of antique, vintage and recycled paper in each. I'll be making more later in the summer but, for now, am moving on to some much larger pieces. Enjoy.

© Ella's Green Thumb Transforms the Garden.
Mixed-media collage by Sara Pearce.

© Porkoplis.
Mixed-media collage by Sara Pearce.
(sold)

© Makes Me Wanna Shout.
Mixed-media collage by Sara Pearce.

The petites keep going, and going ...

High Spirited.

Two more petites. Taking a break from them, well, maybe ...  found some dancing pigs yesterday, and there is an elephant one I've been toying with, and still herding cats and dogs. Plus, these two make me consider the possibilities of what can be done with the hundreds of postcards in my stash.

Untitled ... at the moment. Maybe "All The Young Dudes"?