Friday, September 21, 2012
Traveling clothes
Well, here are the three latest The Grand Tour collages that I've been writing about, all framed and ready to be shown at Saturday's 7th Annual Art Affaire show on the grounds of the Promont House Museum in Milford, Ohio.
They are my largest pieces yet. When having them framed, I picked the same molding in different shades and opted for "museum" glass, which cuts down on reflections and glare. The glass is pricey but worth it, because it lets viewers see all the details. They even look fantastic in this low-res photo.
I'm showing in the dining room, which I set up early this evening. Just a few little things to tend to before the show opens at 11 a.m.
I'll be there until closing, which is at 5 p.m. And in addition to the Grand Tour pieces - there are 3 more - I brought along collage tags, and flock of Out On a Limb collages and three shadowboxes.
Tuesday, September 18, 2012
Two more calendars in the works
Wrapping up all the calendar master files this week, then, the printing begins. These two join the Food Colors and Grand Tour calendars that I wrote about a few weeks ago. They are the same size - 5.5" x 8.5" - and as with the other two, I plan to offer a special deal for advance orders ($12), after which the price will be $15. More as soon as they're printed ...
Monday, September 17, 2012
Time is on their side
Art Affaire - began with the architectural illustration. When I spotted it, I knew the Grand Tour women would travel to the future - and so they have. But it took some mechanical ingenuity.
I've always been a woman with a tool box. One of my first purchases when I left home was an electric drill. After all, I already had my mother's Sunbeam mixer. So, tools have become a recurring theme in my collages and greeting cards. In the collages, I tend to pair oversized tools with 1950s-era women as a symbol of role reversal and empowerment. They function in much the same way here.
A few words about Mr. Wells: his novella, The Time Machine, was published in 1895. Since this fashion plate is dated 1887, my women are far ahead of him and have made time travel a reality. I like to think their trip inspired him.
I've always been a woman with a tool box. One of my first purchases when I left home was an electric drill. After all, I already had my mother's Sunbeam mixer. So, tools have become a recurring theme in my collages and greeting cards. In the collages, I tend to pair oversized tools with 1950s-era women as a symbol of role reversal and empowerment. They function in much the same way here.
A few words about Mr. Wells: his novella, The Time Machine, was published in 1895. Since this fashion plate is dated 1887, my women are far ahead of him and have made time travel a reality. I like to think their trip inspired him.
Thursday, September 13, 2012
Nellie and Abby's Amazing Shrunken Men!!!
The house, in this case, is from the June 1960 issue of Architectural Forum. Thanks to Carla Morales, the graphic designer for Cincinnati's Brazee Street Studios, I received stacks of vintage architecture magazines from her architect sister. While I wrote down the date of the issue, I forgot to note the building. I think it's Philly's Academy of Music, because the Pennsylvania Academy of Fine Arts' wildly eclectic building is on the flip side.
This is another piece for next week's Art Affaire in Milford. Cannot wait to see how they look in the dining room - that's my designated space - of the Promont House.
Monday, September 10, 2012
Their bags are packed ...
Hard to believe it's been 6 months since I made a Grand Tour collage. Well, the ladies are touring again as I make new collages for Milford's 7th annual Art Affaire on Saturday Sept. 22. As intrepid as ever, the gang is traveling under the sea (above - early working version); performing on stage; trying their hands at fly fishing; and there may be some time traveling, too. You will be seeing more soon but, for now, it's off to the studio ...
9.13: Update: The almost-finished collage with significant changes. I'll add more shadowing, seal it
and whisk it off to the framers ...
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