Thursday, November 17, 2011

Santa, baby

Ho! Ho! Ho! 2
(SOLD)
Ho! Ho! Ho! 3
Price: $75.
As I mentioned a few days ago, I'm enamored with Ampersand's 5"x5" claybord/hardwood panels, so I used them as the base for my new Ho! Ho! Ho! series of Santa collages. I'm a sucker for Santas of every era and am trying to mix it up in this series. The Santa at the top is a vintage German scrap from the days when Germany was divided and it was printed in West Germany. The Santa at the bottom is from a vintage American greeting card that didn't have a publisher's name - or copyright - printed on it.

They are backed by a variety of papers including vintage sheet music, a type maker's catalog and antique endpaper (top), and recycled wrapping paper, greeting cards and a vintage price tag (bottom). Right now, there are eight in the series, so you'll be seeing more.

Look what turned up in the mail:
an Edwardian holiday beauty


I get the best mail! A few weeks ago, I posted an item about some Dennison Halloween stickers that I had nabbed and in it, mentioned how red hot Halloween is among paper collectors. Well, all collectors. A few days later, a plain, No. 10 business envelope arrived in the mail. It was from my friend Laura Chapman.

Laura had recently given me a nice cache of paper from her collage-making days that included food labels, French newspapers and signs from the 1950s, paper sample booklets and more. Now, she was sending me some holiday postcards - pretty much the only postcards I collect. I thumbed through them and when I got to the one on the bottom of the pile, I gasped. Really. It was the marvelous 1912 postcard above.

Anyone who collects postcards will recognize it immediately as one of New York publisher John Winsch's and as the work of illustrator Samuel Loren Schmucker (1879-1921). Happily, it has the Winsch copyright in the bottom left corner. Winsch's company wasn't around long - just five or so years - but it was the heyday of postcard publishing and the company made quite an impact.

The illustrations of "beautiful women" that Schmucker created for Winsch - and for the Detroit Publishing Co., earlier - are among the most collectible postcards. His gorgeous, rosy-cheeked "girls" almost as iconic as Charles Dana Gibson's "Gibson Girls." His wife, Katharine - considered a great American beauty - was his initial model.

I don't have many Winsch/Schmucker cards; they're usually outside my price range. Yet over the years, I've managed to snap up some at bargain prices. Two seasonal ones are below; the Thanksgiving card is from 1911 and the Christmas one from 1910. Oh, and two more beautiful Christmas women are in my exhibit case in the dining room of the Taft Museum of Art as part of its annual Antique Christmas exhibition.


  

Wednesday, November 16, 2011

Out On a Limb: 8


This is the final post of the six new Out On A Limb collages. The parrots were jumpstarted by the background paper on the right side. It's a piece of a recycled file folder with a leafy pattern I find tropical and exotic, not to mention that it echoes the pattern on the birds' wings. The parrot on the far left was added after I thought the piece was done. I was afraid that the bird might get lost in the background and, to some extent, it does - yet still manages to hold its own. 5" x 5" on claybord/hardwood panel, ready to hang. $65 + $5 shipping & handling. [SOLD]

Note: For those keeping track and wondering what happened to Out On a Limb: 7, it is a mockingbird collage that I used to promote November's art shows. It never appeared in a regular post.

Tuesday, November 15, 2011

Out On a Limb: 10


I often sets rules for myself when making pieces, well, let's call them parameters - sounds less dictatorial! In any case, when I began this new series within the Out A Limb series, the idea was to combine color and black-and-white images of birds. Then, I found this image in my stash.

The two birds are actually connected to one another, and try as I might to add another, full-color, bird, it didn't work. I could've separated the birds for more flexibility in positioning them, but liked them as they were. So, I tossed out my parameters.

The background looks hand painted, doesn't it? It's not. The "finger-painted" section on the bottom is from a recycled children's book proof, as is the feathered cloud sky at the top. 5 "x 5" on claybord/hardwood panel. [SOLD]

Monday, November 14, 2011

Holiday hours at Paper With a Past Studio


I adore this DIY craft project Santa from the December 1868 issue of Godey's Lady's Book, so I thought he'd be the perfect image for the announcement of extended holiday hours at my studio. I put all this info on the studio page but thought it would be good to repeat it here. Instead of being open only during the second Friday night open studios, Paper With a Past will be open noon-8 p.m. Thursdays ('cept Thanksgiving) and 10 a.m.-3 p.m. Saturdays through Dec. 22.

Please stop by to see what's new. I'll be whipping up all kinds of holiday goodies from ornaments to greeting cards to tags to, well, whatever else comes to mind. I'll also be squeezing in some new non-holiday collages. For directions to the studio: go here.

Oh, I'm usually at work every afternoon, so if you want to stop by at another time, please call or text 254-9776. I'll try to keep my cell on - really!